走向世界的艺术大家——万觉新 To the world of art—Juexin Wan

走向世界的艺术大家——万觉新

To the world of art—Juexin Wan

万觉新，云居禅，云南省弥勒县人，其父是中国书法家协会会员，从小受其父的指导学习书法。本人1992年毕业于中国书画函授大学，师从中国著名书法家欧阳中石、毛锋，擅长书写王羲之、王献之书体和爨隶书体创作作品。毕业后潜心研究佛学文化，并得到禅宗高人指秘开示，认识到了佛家“禅定玄空一笔千文书法艺术”的修学法门，经长达30多年的学习、研究、体证，现在掌握了，佛家“禅定玄空一笔千文书法”第1部；“禅定玄空一笔千文书法”第2部；“禅定玄空一笔千文书法艺术”其他方法还在研究体证中。本人深感不胜荣幸继承埋没于历史长河，唐朝末期失传的国粹绝学“禅定玄空一笔千文书法艺术”得以传承弘扬光大。创办‘神笔研究中心’。佛家“禅定玄空一笔千文书法艺术”得已申办‘‘世界文化遗产”得到发扬光大。“禅定玄空一笔千文书法艺术，在书写时气脉与宇宙自然相应、中途不沾墨、不调笔，一气呵成。书写内容一般为经文、诗词、格言等。由于难度较高，书者需具备深厚功力和悟性方可达到效果。此法失传于唐朝末期，因不易普及，历史上很少有文字记载。它在书法中别具一格，不是天天练字就能凑其效而达到，只有通过深层次地了解、参悟、体证方可入其法度。作品曾先后参加全国和国际书法大赛并分别获金奖、特等金奖，入编《高等院校名师教学范本》《世界里的中国》《中国当代书坛圣手》《全国书画创作作品选集》《纪念怀素诞辰1270周年获奖作品集》《纪念中国工农红军长征获奖作品集》《海内外书法家国学奖作品集》《书画名家画册》《第四届加拿大中华诗书画大赛作品集》《中国书法传世精典》《中国艺坛五大家》《世界艺术史》等。为东方艺术家协会会员、中国当代文化艺术家协会会员、华夏文化艺术研究会特约研究员、中国书画家协会会员、中华诗词协会会员、中国书画创作理事、沈阳艺海拍卖代理中心特级书法师、中央美术学院客座教授、清华大学美术学院客座教授。授予为中国艺坛五大家、荣耀中国世界文化艺术大师称号。受邀参加百年风华·庆祝中华人民共和国成立七十五周年暨—当代中国书画名家学术交流展。丝路“人文传承”国际书画交流展座谈会。2024应邀参加“中国东方艺术品之夏”国际艺术展，授予新时代非物质文化遗产记录工程中华之光大国工匠，玄空书法非遗传承人。中华之光中国好手艺传承人，禅定玄空一笔千文书法艺术非遗传承人。聘为布隆迪共和国驻华大使馆文化交流大使，受邀中俄文化年五星出东方列宾美术学院访问团。聘为CCTV中学生栏目总顾问，CCTV中视文化频道签约艺术家，中央电视台《艺术传承》栏目客座教授。授予CCTV中国传统神来之笔研究工作室，CCTV传统文化非物质文化遗产工作室，中国艺坛领军人物。聘为世界非物质文化遗产研究院副院长，世界非物质文化遗产研究院名誉院长。曾先后两次被云南电视台、多次被其他媒体当作“奇法”和“神笔”介绍，入编云南名人录。作品被云南省政协，云南中华文明协会，云南省佛学院、佛教协会和各地多家寺院及各阶层人士收藏。

Wan Juexin, Yun Juchan, a native of Maitre County, Yunnan Province, was taught calligraphy by his father, a member of the Chinese Calligraphers Association. After graduation, I devoted myself to the study of Buddhist culture, and got the secret instruction of Zen high people, and realized the Buddhist "Meditation Xuan Kong a thousand calligraphy art" of the study method, after more than 30 years of study, research, physical evidence, and now master the first part of the Buddhist "Meditation Xuan Kong a thousand calligraphy"; Part 2 of "Meditation Xuan Empty a thousand calligraphy"; Other methods of "Meditating on the mysterious void and writing a thousand characters calligraphy art" are still being studied. I feel very honored to inherit the quintessence of China, "The art of Meditation, Xuankong, a thousand calligraphy", which was lost at the end of the Tang Dynasty and buried in history. The "Magic Brush Research Center" was founded. The Buddhist "Zen Ding Xuan Kong a thousand calligraphy art" has been applied for the "World Cultural Heritage" has been carried forward. "Meditation Xuan Kong a thousand calligraphy art, in the writing of the natural response to the universe, without touching ink in the middle, not adjusting the pen, in one go." Writing content is usually scripture, poetry, aphorisms and so on. Due to the high difficulty, the writer needs to have deep skills and understanding to achieve the effect. This method was lost in the late Tang Dynasty, because it is not easy to popularize, there are few written records in history. It has a unique style in calligraphy, not every day to practice its effect can be achieved, only through deep understanding, enlightenment, body evidence can enter its Fa. His works have participated in national and international calligraphy competitions and won gold MEDALS and special gold MEDALS respectively. Accepted into the "Teaching Model of Famous teachers in Colleges and Universities", "China in the World", "Master of contemporary Chinese calligraphy", "National Calligraphy and Painting Creation Works", "Collection of award-winning works in Commemoration of the 1270 anniversary of the birth of Huai Su", "Collection of award-winning works in commemoration of the Long March of the Chinese Workers and Peasants' Red Army", "Calligraphy and painting artists at home and abroad", "The Fourth Canadian Chinese Poetry and Painting Competition", "Collection of works". Classics of Chinese Calligraphy handed down from generation to generation, Five Masters of Chinese Art Circles, World Art History, etc. He is a member of Oriental Artists Association, a member of Chinese Contemporary Cultural Artists Association, a special researcher of Huaxia Culture and Art Research Association, a member of Chinese Calligrapher and Painter Association, a member of Chinese Poetry Association, a director of Chinese painting and calligraphy creation, a special calligrapher of Shenyang Art Auction Agency Center, a visiting professor of Central Academy of Fine Arts, and a visiting professor of Tsinghua University School of Fine Arts. Awarded the title of the five masters of Chinese art circles and the glorious Master of Chinese World Culture and Art. Invited to participate in the centennial style • Celebrating the 75th anniversary of the founding of the People's Republic of China and the Academic Exchange exhibition of contemporary Chinese painting and calligraphy masters. Silk Road "Cultural Heritage" international calligraphy and painting exchange exhibition symposium. 2024 Invited to participate in the "Summer of Chinese Oriental Art" international art exhibition, awarded to the new era intangible cultural heritage recording project of the Light of China craftsman, Xuankong calligraphy non-genetic inheritor. The light of China is the inheritor of the good craft of China, and the calligraphy art of Zen Ding Xuan Kong is not a hereditary inheritor. He was appointed as the cultural exchange Ambassador of the Embassy of the Republic of Burundi in China, and was invited to visit the five-star Oriental Repin Academy of Fine Arts of the China-Russia Cultural Year. Hired as the general consultant of CCTV Middle school program, contracted artist of CCTV Culture Channel, visiting professor of CCTV "Art Inheritance" program. Awarded to CCTV Chinese Traditional Magic Stroke Research Studio, CCTV Traditional culture intangible Cultural Heritage Studio, leading figures in the Chinese art world. Appointed as Vice president of the World Intangible Cultural Heritage Research Institute and Honorary President of the World Intangible Cultural Heritage Research Institute. It has been introduced twice by Yunnan TV Station and many times by other media as "strange law" and "magic brush", and has been included in the Yunnan Who's Who Register. His works have been collected by Yunnan CPPCC, Yunnan Chinese Civilization Association, Yunnan Buddhist Institute, Buddhist Association and many monasteries and people of all walks of life.

【作品鉴赏】

【Appreciation of works】

国庆期间分别在云南鸡竹山和个旧展览，圆满结束!

During the National Day, the exhibition was successfully concluded in Jizhu Mountain and Gejiu in Yunnan Province!

【名家点评】

[Famous reviews]

一笔书写翰墨风华 翰墨参悟禅定玄机

——记著名书法家万觉新

在书法文化中，“禅意”始终都是一个紧密相连的精神主题，并且时至今日，也仍是有许多书法家在秉持和恪守禅宗之道，像今日著名书法家万觉新先生便就是其中的一位典范性人物！自毕业以来，万觉新先生就曾受高人指点潜心佛门，在随后时间里又参得了“禅定玄空一笔千文”的翰墨之法，从而使每一幅书法作品，都能从笔墨中得证精神，又能在书风中弘道禅境！诚然，这种由技入道的书家印象，也并不是一朝一夕所致，归根结底，还是源于他多年来对书法之道的专注与不懈追求，此乃必然之果。

从万觉新先生的书法作品中可以发现，他的笔墨绝不是为了炫技而挥毫，毕竟对万觉新先生来说，书法应当说复归心源的性情体现，倘若一味迎合市场，将书法当成博取名利的工具，那么笔下作品自然也就会陷入一种千篇一律的摹版风格。此正如清人华琳于《南宗诀秘》中所言：“要使笔落纸上，精神能冲其中，气韵目晕于外。”不得不说，万觉新先生研习禅定玄空一笔千文之法，也正是为了谙合此道，故其书之大局，皆是能以气为主，使字字有骨肉筋血，以气充之，精神乃出！

单从技法层面审视，观者是很难界定万觉新先生的书法具体归属何门何派。倘若非得为之定论，余以为，其则应归为博采众长、融会贯通之典范。二王风骨尤可见，帖学法脉作根基，由此再通过禅定一笔书写千文的取法造诣，整幅书法作品便就更是独具于大家风范！执笔蘸墨，挥毫自如，既能出新意于法度之中，亦能寄妙理于豪放之外，从不中途断笔而蘸墨，是谓字字皆能从一笔之中书写章法气象，一气呵成，浩浩落落！因此，每次欣赏万觉新先生的书法作品，都是会被其中所蕴含的书卷气息深深打动，而这也正是万觉新先生为什么要研习禅定玄空一笔千文的缘由所在。在他看来，一切皆空，万法皆空，唯有达到心灵的自在境界，书卷作品方才能真正臻入化境。

一笔书写翰墨风华，翰墨参悟禅定玄机。得益于禅定佛门的经久修悟，万觉新先生的书法作品实际上已经是完全脱离了“形式主义”，转而则在精神底蕴上丰富了很多。就比如说他现在的创作状态，虽承续了唐朝末期几近失传的国粹绝学，但其核心却是在于弘扬“书以载道”的深刻文化内涵与文化真章！佛曰：此如来藏藏识本性清静，客尘所染而为不净。”而今万觉新先生能以书法为媒，悟道参禅，又历经笔墨洗礼，取法心源，根植本性，既不媚俗，亦不作巧，如此书法造诣，实乃清正之典范！换句话说，他已经是找到了一条真正属于自己的禅艺之路……

央视著名书画艺术评论员

史峰

2024年8月24日

书于览艺斋

A stroke of calligraphy style and calligraphy to understand the mystery of meditation

-- Wan Juexin, a famous calligrapher

In the calligraphy culture, "Zen" has always been a closely related spiritual theme, and even today, there are still many calligraphers uphold and abide by the Zen way, such as today's famous calligrapher Mr. Wan Juexin is one of the model characters! Since graduation, Mr. Wan Jexin has been instructed by the master to concentrate on the Buddhist door, and in the subsequent time, he has participated in the calligraphy method of "Meditation meditation Xuan empty a thousand words", so that every calligraphy work can obtain the spirit from the pen and ink, and can be in the book wind. It is true that this impression of a calligrapher from the technology into the Tao is not caused overnight, in the final analysis, or from his years of focus on the Tao of calligraphy and unremitting pursuit, which is the inevitable result.

From Mr. Wan Juexin's calligraphy works, it can be found that his ink is by no means to show off his skills. After all, for Mr. Wan Juexin, calligraphy should be said to reflect the temperament of the heart source. If you blindly cater to the market and use calligraphy as a tool to gain fame and fortune, then the works under his pen will naturally fall into a monotonous copying style. This is just as the Qing Dynasty Hua Lin said in the Secret of the South Zong: "To make the pen fall on the paper, the spirit can rush into it, and the eyes dizzy outside." It has to be said that Mr. Wan Jaxin studies the method of meditating on Xuankong, and it is precisely in order to understand this way, so the overall situation of his book is to be able to focus on the qi, so that the words have bones, flesh, tendons and blood, and the spirit is out!

Viewing from the technical level alone, it is difficult for the viewer to define the specific family and school of Mr. Wan Juexin's calligraphy. If we have to decide on it, I think it should be classified as a model of learning from other people's strengths and understanding. Two Wang style is especially visible, the study of the Fa pulse as the foundation, and then through meditation to write a thousand of the Fa attainments, the whole calligraphy works will be unique to everyone style! Writing in ink, swing freely, not only can create new ideas in the Fa degree, but also can send wonderful reason in the bold, never halfway to break the pen and dip in ink, that is, every word can be written from a stroke, in one go, great! Therefore, every time I appreciate Mr. Wan Jiaxin's calligraphy works, I will be deeply moved by the atmosphere of books contained in them, and this is why Mr. Wan Jiaxin wants to study Zen meditation. In his view, everything is empty, all the methods are empty, only to achieve the mind of the realm of freedom, the book works can be truly perfected.

A stroke of calligraphy style, calligraphy to understand Zen meditation mystery. Thanks to the continuous practice of meditation Buddhism, Mr. Wan Juexin's calligraphy works have actually completely separated from the "formalism", and instead enriched the spiritual heritage. For example, his current state of creation, although the continuation of the late Tang Dynasty almost lost the quintessence of Chinese literature, but its core is to carry forward the "book to carry Dao" profound cultural connotation and cultural chapter! Buddha said, "This Tathagata hides the nature of consciousness, which is pure and quiet, and is impure because it is stained with guest dust." Today, Mr. Wan Jexin can use calligraphy as a medium, understand the way to meditate, and after the baptism of pen and ink, take the method of heart source, rooted in nature, neither kitsch, nor clever, so calligraphy attainments, is a model of pure and correct! In other words, he has found a path of zen art that is truly his own...

CCTV famous painting and calligraphy art commentator

Shi Feng

August 24, 2024

Books at reading art zhai